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Should studios give in to the writers?

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Ah, the writer's strike is coming to an end, as Douglas McIntyre discussed over the weekend. Media companies like Viacom (NYSE: VIA), CBS (NYSE: CBS) and News Corp. (NYSE: NWS) are probably happy to put this work stoppage behind them. And as a shareholder of Disney (NYSE: DIS) and the conglomerate behind NBC Universal, General Electric (NYSE: GE), I should be pleased.

Yeah, I suppose I am, for the most part, but there's a side to me that was really ticked off during this whole affair. To be completely blunt, I'm not sure that screenwriters have such a unique talent, and I'm not sure that they deserve residuals at all. Let's be honest -- when a studio puts up capital to generate a filmed entertainment product, the only entity taking on risk is the studio, plus any partner(s) that the studio has lined up to further distribute the risk. Writers aren't taking on any risk -- they're simply getting paid to do a job that a lot of people can do. You, sir or madam, reading this post, probably have the ability to write a script. I just don't buy the notion that studios have to shell out residual payments, above and beyond a flat fee, to screenwriters for their work. The Hollywood movie industry is risky enough as it is -- there's really no way that anyone from Michael Eisner to Bob Iger to Peter Guber to Harvey Weinstein, can predict what will be a hit and what won't. It just can't be done. Millions can be spent on the development of a script, only to see such a sum wasted when it doesn't translate to the big or small screen.

Studios like Disney and Time Warner (NYSE: TWX) need to collect every dollar they can for their companies to compensate for the risk they take when they enter the failure-dense industry of celluloid distribution. For this reason, I wish the studios could have just hired a whole new slate of writers; there's certainly no shortage of talent willing to sell their work for very little money. Remember -- for many, being part of a Hollywood production is compensation enough. Why can't this fact be exploited? Again, as a shareholder of Disney and GE, I believe my companies should be in control of as much of the cash flowing in from a project as possible. This isn't to say I don't respect writers -- I do. I just honestly don't think they should win in this strike.

Full disclosure: Not only do I own Disney and GE shares, but I am a hobbyist screenwriter myself -- this probably makes me biased.

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Last updated: November 10, 2009: 06:21 PM

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